walking pianalto

a collective action across the Altopiano of Poirino from Cambiano to Montà d’Alba

invited artist / scientist  @ IperPianalto  by andrea caretto | raffaella spagna for Fondazione Spinola-Banna per l’Arte and GAM – Galleria d’Arte Moderna e Contemporanea of Torino

Polaroid 05-crop2-miniPolaroid 05-crop3-mini

Norwergian philosopher Arne Naess argued that ethics depends on how we experience the world, which in turn depends on the power we have at our disposal. Defined as energy over time, power is a physical variable that influences our perception of distances and how we interact with our outer and inner reality.

A reflection on the use of the body’s metabolic power to experience time and space, through walking.

A collective use of Polaroid with the awareness that picture taking is rooted in our way of being and moving: our physical, mental and emotional posture.

A reading of “speed stunned imagination” from energy and equity by Ivan Illich.


the unseen

research and curatorial project @ Progetto Diogene

in collaboration with Michela Depetris, Giulia Gallo, Silvia Margaria, Enrico Partengo, Elena Tortia, Arianna Uda

invited artists: Py & Verde (Sept 20), Pierluigi Fresia (Sept 27) and Cyrilla Mozenter (Oct 4)


The Unseen explores the process of art making and its relationship with an audience. Finished bodies of work can be thought of as evidence of an invisible, time dependent, physical, intellectual and emotional research. This research remains hidden.

Four artists were invited to reflect on their process and share their hidden exploration. First, within the group of artists who conceived the project, then with an extended audience, in a public event at the Diogene’s tram.

Process happens in a private space and uncovering it requires mutual  trust. For nurturing trust, the group of The Unseen has chosen to invite artists whose life and work were already in close contact with at least one of the members. The separation between the observers (inviting) and the observed (invited) was further dissolved by sharing individual processes, vulnerabilities and aspirations in an open dialogue among all the people involved.

A number of closed meetings were organised over the course of several months, between the spring and the summer of 2017.  It became a process in its own terms. A wide spectrum of common issues – questions, obstacles and ways to overcome them –  emerged across three generations of artists, working in Italy, France, Belgium and the US.

The final events took the form of a series of lectures/performance.

when the earth shakes…and science with it

the management and communication of uncertainty in the L’Aquila earthquake

new paper the Journal Futures,  with Bruna De Marchi

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In the spring of 2009, a strong earthquake shook the Italian city of L’Aquila and the region surrounding it. Besides the tragedy of human and material losses, the disaster triggered an unprecedented series of legal consequences. In this paper, we take the L’Aquila case, in all its psychological, social and legal controversies as exemplary for reflecting on how uncertainty can be recognized, treated and communicated in the context of mass emergencies. We examine the inherent path-dependency and multidimensional nature of uncertainty by projecting it along a number of axes, analyzing how the different components evolve and interact with each other. We show that contradictions, controversies and conflicts are bound to arise in the practice of expert advice for public policy as a result of: 1) the improper reduction of the overall situational uncertainty to its scientific component only; 2) the treatment and communication of scientific uncertainty as an independent variable that can be analyzed and computed in isolation from ethical, political and societal concerns. Finally, we provide some suggestions about a more integrated approach to expert advice for public policy.

what I cannot create, I do not understand @ GAM

lecture performance @  GAM – Galleria di Arte Moderna e Contemporanea – Torino

in Atlante Energetico – curated by Elena Mazzi for Fondazione Spinola-Banna per l’Arte and GAM

video, still images, blackboard and words


The project inspired by Richard Feynman’s quote on his last blackboard at Cal Tech continues to develop in the shape of a multimedia lecture performance at the contemporary art museum of Torino.

It is a story about the delicate and mutable relationship between knowing and making; discovery and invention; science, technology and governance. Three chapters range from the making of the atomic bomb in Los Alamos (1940s), the Challenger disaster (1980s) and the emerging technologies in the field of ICT and synthetic biology (2010s).


What is it like to be a bat? @ Impossibile, Spazio Bianco, Torino


“Conscious experience is a widespread phenomenon. It occurs at many levels of animal life, though we cannot be sure of its presence in the simpler organisms, and it is very difficult to say in general what provides evidence of it. (Some extremists have been prepared to deny it even of mammals other than man.) No doubt it occurs in countless forms totally unimaginable to us, on other planets in other solar systems throughout the universe. But no matter how the form may vary, the fact that an organism has conscious experience at all means, basically, that there is something it is like to be that organism”.

“Without consciousness the mind-body problem would be much less interesting. With consciousness it seems hopeless”.

Thomas Nagel, 1974



what I cannot create, I do not understand @ SVT

Richard Feynman and the quality of science

public talk @  Post-Normal Times? New thinking about science and policy advice, SVT Bergen


A reflection about different ways to define and assess quality in science, through the transitional key figure of Richard Feynman. Renowned theoretical physicists, Nobel Prize recipient, great communicator and educator, Feynman has been the perfect candidate for granting the advent of new technoscientific endeavors with the epistemic and moral authority of Mertonian science, while at the same time redefining it from within: by intersecting and blurring the boundaries between knowing and making, discovery and invention, curiosity-oriented science, corporate technoscience and democratized DIY experimentation. A historical, epistemic exploration of the ‘real’, fictional and constructed role of Richard Feynman is performed ironically: by appropriating and interpreting parts of the available material by and about him, in episodes ranging from his (actual or symbolic) involvement in the Manhattan Project, the investigation of the Challenger disaster, the birth of nanotechnology and synthetic biology.

green routes – contact zone Taranto

photography workshop @ Green Routes for Taranto and Palagianello


A workshop about photography as a way to learn about the individual unique experience of looking at the inner and outer world. The city of Taranto and the surroundings of the castle of Palagianello are explored with a group of educators in charge of different non-profit organisations operating on the local territory. Photography can become a participatory tool for creating new imaginaries to value and transform the social and environmental landscape towards more sustainable futures.